Friday Links: Writing Is Rewriting

This has been a week of distractions, with a million shiny (and not-so-shiny) things popping up at every turn to demand my attention. Not only can that make it difficult to finish whatever tasks were originally on your to-do list, but it’s exhausting. So my current plan for the weekend involves getting this post up, sending out a few emails, and then unplugging for the most part until Monday morning. At least from the internet and its constant bombardment from social media and the like. I think I have a date with the beach, a book, and a big floppy hat. And possibly print outs of a few dozen submissions.

Maybe you plan to unplug as well, but if not, here are this week’s Friday Links to keep you entertained and possibly inspire some creative time. Several of these are particularly useful if you’re in or approaching the rewrite/editing stage. Enjoy, and happy writing!

The Five Bes to Being a Better Beta Buddy – Some great tips for giving feedback to your writing critique partners.

When You’re Ready to Move from Summer Reading to Summer Writing – Some short-term writing retreats to check out on your summer vacation, or to inspire you to check out what else might be out there.

Joseph Kanon: There Is No Better Place to Write than the Library – The author shares his love for writing in the New York Public Library, and why he finds it makes the perfect office.

California Soul: A Literary Guide to SoCal Beach Towns – A list of beachy locales with a bit of an edge, straight from the pages of fiction.

The Legend of an Editor – A look inside the work practices of Robert Silver of The New York Review of Books, and the legend he left behind.

Roxane Gay Is the Hardest Working Woman in Letters – An interview with the author on the release of her new memoir, Hunger.

10 Tips for Becoming a Better Editor – Pretty much what it says on the package.

Finding Your Tribe: A Writer’s Community

Writing is a solitary activity. Even writers who work with co-authors, or who break story ideas in a group as part of a television writing staff, must eventually sit down to face that blank page on their own. Beyond the act of getting down the words, however, dwells a wealth of opportunities for writers to interact, exchange ideas and experiences, and enjoy a community of people who understand precisely what it means to wrestle an idea into shape or struggle to ramp up the tension in a scene. Fellow writers read your work and offer constructive criticism, provide insight into where you might research an obscure facet of your story, and share knowledge about the submissions and/or publishing process. Other writers provide your network of both practical information and emotional support; in short, they are your tribe.

Whenever I attend a writing conference, it strikes me anew just how important it is for writers to escape the trap of working entirely in a void. Writers who know other writers also know more about the business, have a better grasp of the publishing process, and tend to have fewer typos and plot holes in their manuscripts. That’s not to say having a writing community means automatic publication and a swift path to bestsellerdom, but it does help writers avoid the more obvious pitfalls along the way, and provides some understanding shoulders on those days when frustration overwhelms determination.

But where do you find other writers? Writing isn’t the sort of career where you necessarily meet colleagues in your office, sitting one desk over. Most writers have other jobs to pay their bills, and not everyone who goes home to a second shift writing stories discusses their ambitions around their day-job’s water cooler. So where to start?

Writing conferences and conventions that revolve around genre writing make for obvious choices, and they come in a variety of sizes and for different budgets. Go prepared to both learn things and socialize. Many events offer an introductory session for first-time attendees, but even if they don’t, you can meet people simply by speaking with the person next to you in a workshop or at a meal. Ask what they write or what they’re currently reading. In a gathering of writers, you have built-in ice breakers. You can even arrange to meet people ahead of time through Twitter using the event hashtag.

If conferences are out of your budget or if travel poses difficulties, check out opportunities in your own town or nearby. Writers’ organizations, such as Romance Writers of America (RWA), have local chapters that meet monthly to discuss their members’ achievements, hear from guest speakers, and encourage each other to reach for their goals, and can offer a ready-made tribe of writers who work in your genre. Writing classes come in all sizes and shapes — from continuing education at the local university or high school to courses offered at the community center or YMCA — and give you the chance to meet other writers in the process. If you want to find a writing group, ask your librarian or at area bookstores to see if they have information about existing meetings, or go to MeetUp.com and see if they have a group near you.

The internet, of course, makes a wonderful resource for connecting with other writers. You don’t have to meet face-to-face in order to chat about writing with other likeminded individuals, and many writers work with critique partners or beta readers who live thousands of miles away by emailing back and forth, chatting online, making use of Skype, etc. Online classes can be less costly than those in real life, and many offer the opportunity to read and critique the work of your classmates. Some writers’ sites offer forums, such as this one at Writer’s Digest, where you can post questions, introduce yourself, and chat with other posters. Participate in the comments section of writers’ blogs — not solely to find critique partners, but to become part of the community at large by engaging and offering your own thoughts. Follow writers you admire on Twitter, as well as editors, publishing houses, and other industry accounts to learn more about the business as well as what’s happening in the wider writing community. Even if you don’t want to write a novel in a month, consider participating in NaNoWriMo and getting to know people through their local writing meet ups and extensive forums. Although not everyone will have professional aspirations, there will be plenty of published and hoping-to-publish writers in the mix. As with any social interaction, please use some caution when meeting online acquaintances for the first time in person and start off in a public place.

Building a writing community won’t happen overnight, but it’s worth making the investment of time and effort it takes to develop your personal tribe.

A few additional resources to check out: