Happy Halloween Eve! The week got away from me, as I’ve been catching up after last week’s virtual Surrey International Writer’s Conference. I started out Monday with a pile of backlog and a brain buzzing about writing structure, saggy middles, handling timelines, and more. Even agents pick up great tips at writing conferences.
So here we are, on the cusp of Halloween, plus a new month and the start of NaNoWriMo. I thought I’d offer a mix of writerly and seasonal links to kick things off. Whether you plan to watch horror movies, dress up, or just settle down with a good book and bowl of candy, I wish you a fun, safe Halloween, and a stellar start to NaNo. Don’t forget to set your clocks back Saturday night. You get an extra hour of writing time on Sunday. Sounds like a treat to me!
This week’s links:
‘I spooked myself right before bedtime:’ Authors on Their Scariest Creations. – A little Halloween inspiration to put you in the mood.
The Ghost Stories of Muriel Spark. – A peek at some lesser known works of the author that fit right into the season.
Tana French: Hope in Hard Times. – The thriller writer discusses her latest manuscript, which she has the great fortune to hand in shortly before COVID-19 shut downs ramped up, as well as other aspects of her writing on the latest episode of The Secret Library Podcast.
Where to Start with Shirley Jackson. – The author’s work seems to be undergoing a resurgence on screen, but what about actually reading her stories? Here’s a guide to how you might approach them.
When Is It Okay to Write About Someone Else’s Culture or Experience? – Part of Charlie Jane Anders’ ongoing project to write a book about story craft, which Tor.com has been publishing in installments. Great information here about what we mean when we refer to #OwnVoices writing.
How Not to Be All About What It’s Not All About: Further Thoughts on Writing About Someone Else’s Culture and Experience. – A terrific follow up to the above from Nisi Shawl.
Dissecting Suspense in Rebecca. – In light of the new adapation on Netflix (which I advise you to skip; stick to the Hitchcock version), I urge you to read or reread Daphne du Maurier’s classic novel and see for yourself all the ways suspense can build. Terrific lesson, no matter what sort of fiction you write.