Prepare for NaNoWriMo: Get Ready to Write

With just two weeks left in October, it’s time to prepare for NaNoWriMo, otherwise knows as National Novel Writing Month. Every November, thousands and thousands of writers around the world attempt to write a novel in 30 days. No prize awaits them. There’s no guarantee of publication. But writers still churn out hundreds of words each day, hoping to hit the goal of 50,000 by November 30th.

Why do people challenge themselves to write so much in a short period? Some do it for fun. NaNoWriMo has become something of a party over the years. Writers gather with other local participants to write in coffee shops or bookstores. Online forums provide a way to reach out and chat about your work-in-progress. Others use the energy of the event to force themselves to finish a first draft. Professional writers often join in, working on current projects or starting new ones. Writers with thoughts of publication know that 50,000 runs a bit short for a traditional novel, but NaNoWriMo still offers great motivation to get to work.

prepare for NaNoWriMo

Are you a plotter or pantser?

Plenty of writers just open up a new Word doc on November 1st and start typing at random. It can be entertaining to see where your imagination takes you. But if you prefer to plot, or you want to make sure the words flow daily, it’s a good idea to prep for NaNoWriMo. If you have at least some idea of where you’d like your story to go, it will help you build your word count and avoid facing a nasty bout of writer’s block.

How to Prepare for NaNoWriMo

Technically, you’re not supposed to start writing until November 1st, but you can still put together some notes.

  • Determine your major characters. Figure out who your protagonist is and what they want. Name some people. Give them jobs and relationships.
  • Do you at least have an idea for your book? If you do, dream up a few scenes you’re really looking forward to writing and sketch out a few short notes about them. (Not the scenes themselves, of course. That would be cheating.)
  • Get some research done. If you have to do some leg work or reading about your setting, the time period, characters’ careers, etc., now is the time to do it. Plus all that wonderful detail and vocabulary you dig up will help you increase your word count.

There’s nothing wrong with deciding to use NaNoWriMo as a time to play. But if you plan to use it to work, just a little bit of prep will help you make the most of your experience. And don’t forget: the manuscript you finish on November 30th will be a first draft. So don’t waste time editing while you write. Plenty of time for that later.

Good luck to everyone participating this year!

Friday Links: Revisit Writing Basics

What does it mean to revisit writing basics? Simply put, this week I’d like you to peel away some of the technology and bells and whistles and look at the bare bones of your writing habit. If you have writer’s block, this approach may help unmoor your ideas. Otherwise, going back to basics for a day or two can renew your creativity in general. A short hand way to think of this approach is “butt in chair, brain in gear.” You might also want to focus on the building blocks of your craft. Read some of your writing aloud, listening for rhythms and word repetition. Maybe forget your fancy computer program and work for a bit in longhand. Write daily and read good books.

I’ve collected the ususal assortment of links this week, with a fair amount of writing advice included. Keep in mind that the best writing style is the one you develop for yourself. So take a look at these varied ideas about writing and apply the ones that work for you. Not every writing trick inspires every writer. I hope at least a few of these will send you to your desk this weekend. Enjoy, and happy writing!

This Week’s Links

Why Digital Note-Taking Will Never Replace the Physical Journal. – Thoughts on why physical journals survive in this digital age.

An Oubliette of Unconventional Writing Advice. – Chuck Wendig offers some entertaining advice on writing advice as a whole, and some common-sense ways to get your work done.

How I Do It: Anne Rice on Writing Technique. – Some very specific ideas on how to approach the art of writing.

London’s Amazing Underground Infrastructure Revealed in Vintage Cutaway Maps. – Fabulous images to inspire either historical or fantasy fiction set in London – or something completely original.

NaNo Prep: Make a Box for Your Bully. – Some excellent advice on silencing that inner editor so you can just write. (Plenty of time to edit when the draft is done.)

Start It Already: How to Start Your Novel – Great tips on how to actually start writing that book, for those of you staring at a blank page/screen.

Friday Links: Autumn Reading and Other Escapes

autumn book stack with apple

Autumn reading always means fatter books and more serious titles for me. Call it back-to-school syndrome. This year autumn reading also sounds like an excellent way to escape the world’s ills. We could all use something to distract us from politics and terrorism, hurricanes and health insurance, if only for a little while. So among this week’s links, I offer some lists of great books to inspire you, but hopefully also a few to help you get lost.

In addition, I have the usual collection of industry-related reads. I hope you find them interesting and entertaining.

Finally, a quick reminder that I am closing to new submissions as of October 10th. You can find complete details here. Wishing you all a wonderful weekend, and some excellent reading and writing time. Enjoy!

Stock Up for Autumn Reading

46 Books We Currently Love Even More than Books in General. – The booksellers at Parnassus Books offer up this wonderful assortment of reads.

2017 National Book Awards. – Check out both the short and long lists of books up for this annual award in the categories of fiction, nonfiction, poetry, and young people’s literature.

Here Are 51 New Science Fiction and Fantasy Books to Choose from in October. – Pretty much as described.

Kazuo Ishiguro Wins Nobel Prize in Literature. – If you haven’t read anything by Ishiguro, now is the time to start. His work both entertains and makes you think.

10 Memoirs by Women in the Culinary World. – Are you a foodie or just intrigued by all things culinary? Check out one of these titles.

More Friday Links

The Ripped Bodice Report on Racial Diversity in Romance. – The ladies behind The Ripped Bodice Bookstore took it upon themselves to look into racial diversity in romance publishing. This report looks at the percentage of romance books written by authors of color at various publishing houses. (Warning: It’s disheartening.)

When You Shouldn’t Hire and Pay for a Professional Editor. – Jane Friedman looks at the increase in writers paying for professional editing work, when and when it isn’t actually necessary, and what “professional” means when it comes to an editor.

Here’s Where Your Favorite Modern Novel Was Written. – Peek at the writing spaces of some modern-day writers.

2017 Writing Goals: 3rd Quarter Check-In

Play Your Writing Goals

Time to review your writing goals for 2017! We’ve entered the final quarter of the year, so grab that list of goals and see where you stand. Or maybe you’re just getting around to making some writing goals. Whatever stage you’re at with your writing, consider where you’d like to go next, and how to get there.

Writing Goals Review

If you set goals for your writing at any point this year, look back and see what you’ve achieved versus where you need to recommit. Maybe you managed to complete some smaller goals, but you’re behind with a big one. Perhaps you focused on a major goal, while some small ones fell by the wayside. Or perhaps circumstances have changed and you need to rework one or more goals to match.

Be honest when you assess your progress, but don’t beat yourself up. Use your goals as a tool, a rudder by which to steer your career as best you can. Sometimes we lose track of what we’re trying to achieve, but sometimes life just gets in the way. Only you know where you should be working harder, and where you have to cut yourself some slack.

Reassess Your Writing Goals

Once you know where you stand, you can determine where you want to go. Maybe you’re on track, and all you need to do is keep working as you have been. Congratulations! But maybe you want to cross a goal off your list as no longer valid, or you need to change the timeline on something you’ve been writing. Don’t hesitate to tweak your goals as necessary. These goals are for you; you get to say what they should be, what’s working and what isn’t.

Writing Goals Going Forward

If you didn’t set goals earlier in the year, do so now. Even with three months left to 2017, you can accomplish plenty to help you move forward with your writing. Commit to writing daily, or consider submitting short work to a contest or for publication. Start researching literary agents, or get your author’s website up and running.

Even if you did set goals for the year, you can certainly add new ones at this stage. Maybe you’ve come up with a new idea for a project that requires some research, or you’re ahead with something and ready for the next step. Goal lists should remain flexible, and not adhere strictly to the calendar year.

Checking in with your writing goals enables you to keep on top of your career and your accomplishments. People typically forget about their new year’s resolutions by March. If you check in on your writing ambitions frequently over the course of the year, you’ll keep them fresh in your mind. So make your list of goals, set some calendar reminders, and go write.

Friday Links Return: Writing Inspiration for Year’s End

Friday Links return! Writing inspiration appears in many forms, and today I offer up some ideas to keep you productive through the end of 2017. During my blog hiatus, I held onto some links that I wanted to share when I started blogging again. That means these links span more than just the past week. But whether you typically get your writing inspiration from reading a great book or an article on craft, these links have something for you.

This Week’s Links:

Micheal Ondaatje opens archive to reveal his writing methods. –  Author Michael Ondaatje has donated his papers to the Harry Ransom Center in Texas.

The 21st-Century Fantasy Trilogy that Changed the Game.The New York Times looks at the writing of N.K. Jemisin, and how it created a new way of looking at epic fantasy.

Go Local: Marketing Books to Targeted Communities. – Jane Friedman advises writers to start where they are when they market their books.

28 Exciting New Books You Need to Read This Fall. – Check out this great list to find new titles to pad your TBR pile.

Shelf Life: Novelist Hanya Yanagihara on living with 12,000 books. – Dream of your own home library? Hanya Yanagihara shows us how it’s done.

You Did What? The Dos and Don’ts of Workshop Etiquette. – Take a look at these tips on how to attend a writing workshop with grace.

13 Upcoming YA Books by Latinx Authors to Start Getting Excited About Right Now – Great new books either out now or soon to be released that will add diversity to your TBR pile.

10 Gritty Crime Novels that Will Take You to the 1970s NYC of The Deuce. – Film and television producers seem fascinated by the 1970s, as evidenced by the new HBO series, The Deuce. These books give a different take on the gritty era.

Other Writing Inspiration:

With the season’s changing, it’s the perfect time to observe what that means where you live. Whether it’s fall or spring in your part of the world, grab a notebook and pen and go people watching one afternoon. What happens to the weather, wardrobes, behavior, the pace of life? This transitional time of year makes for interesting stories. Go take notes.

Want to Be an Author? Finish Something

Writers write, but authors publish. If you want to go from writer to author, the first step is to finish something, then go back and rewrite it until it is ready for submission. But finishing that first draft really is key. It’s impossible to edit a blank page, and equally impossible to sell something without an ending.

Most writers starting out have written plenty of beginnings. They get an idea and sit down to write. They rush through those first pages filled with excitement, developing cool characters and describing the setting and sending everyone off on their adventure brimming with conflict. But then something happens around page fifty. Maybe page 100 if they are lucky and have plenty of momentum. The writing starts to slow down. That initial idea is no longer sufficient to carry the action forward. More is required, and the beginning writer isn’t sure just what that more entails.

And then comes the shiny new idea.

Everyone’s had them, sometimes even while staring at the computer screen, willing the current idea to shape up and get marching. That niggling thought — a weird new hero, a fantastic scenario, a compelling situation, a snippet of dialogue in the back of the brain — that sounds like the answer to everything. Because this new shiny idea feels so much better than the work in progress. It’s new! It’s shiny! It’s so much more exciting! And it lures you away from the current project that hasn’t been behaving and into its shiny clutches.

Before you knows what’s happened, you have a stockpile of beginnings. Partial novels that have never even made it to the half-way point. Because there is always a shiny new idea lurking around the corner, looking to distract you. The more ideas you have, the more ideas you get. It’s the way creativity seems to work. But there are several problems with this.

  • Shiny new ideas are not actually always good ideas. Sometimes they’re just plain ordinary ideas that, if given time, will fade completely from your mind and go unmissed.
  • Chasing shiny new ideas means setting aside current projects and never finishing anything. And you can’t sell something that’s not finished.
  • Writing the middle and the end of a story requires different skills than writing beginnings, and you can’t get better at writing middles and ends if you never actually write them. You want to hone all your skills as a writer, not just some of them.

Shiny new ideas will always pop up and wave at you, but it is vital that you set them aside and continue with whatever project is currently on your plate. That doesn’t mean forget them entirely. Jot down notes in your journal, start a computer file for the potential new project, and then get back to business. Consider that shiny idea on the to-do pile. Maybe you’ll get back to it in a year and find it’s percolated into something wonderful, or maybe you’ll wonder what the hell you where thinking. Either way, it gets its due eventually, and you get to push through and finish the project at hand.

But what about the argument that the new idea is better or more interesting than the one you’re writing? Of course it seems that way. The new idea is a mystery. You’ve spent virtually no time thinking about it, which leaves it wide open to play with. The current idea, on the other hand, is starting to come together. You understand the characters more than you did at the beginning, you’ve begun to piece together the plot, and things have moved forward. The easy thinking has been accomplished, and you need to dig deeper. Further the conflict, ask tough questions, maybe backtrack on a couple of points. You are past all the surface material and mining for treasure, and that’s work. Hard work. Of course the idea of something new and shiny appeals. That doesn’t make it better.

Writers write, and if all you want to do is write, you can play with as many ideas as you wish. But published authors commit to finishing their projects and resist the distraction of every new idea that catches the light. Of course, occasionally there are projects you find just aren’t working and you decide to abandon them, but that’s a question of the project’s merit, not the distraction of a shiny new idea. So when the next little tidbit flits along and catches your eye, tuck it into a folder for future thought and get back to work.

2017 Writing Goals: First Quarter Check-In

 

With March winding down, it’s a great time to pull out your list of goals for 2017 and see how the reality measures up for this first quarter of the year. Checking in with yourself helps to keep you on track, to remind you of what you want to achieve, to see where your efforts might be falling flat, and also to determine if any part of your goal list needs to be altered. Like many plans, a list of goals works best if you consider it in real time, as a changeable document that can be edited according to how your life shifts, rather than as a rigid to-do list that is set in stone until December 31st.

Start off with just a brief overview of your goals and see where you stand.

  • Which goals have you been working toward as intended?
  • Which goals have you paid less attention to or maybe even not worked on at all?
  • Were there any short-term goals that you’d planned to finish by now that still need work?
  • Are you ahead of your intended progress in any areas?

Sometimes you also need to give yourself a bit of context while assessing your progress toward your goals. It’s possible you’ve fallen behind on one or more of the things you planned to work on this year, but don’t forget to think about why that might be. What’s been going on in your life these first three months of the year, and how has that affected your ability to focus on your goals? Has anything happened that required your attention and shifted your priorities? Time is limited, after all, so if new obligations crop up, you need to find the time to meet them somewhere.

Next, really assess where you want to go with your goals for the rest of the year.

  • Are any of your goals no longer valid? Things you no longer wish to pursue? Cross them off the list.
  • Do you need to restructure any of your larger goals into small, managable parts that you can tackle more easily going forward?
  • Are there any goals you’d like to add on to the list, either to replace things you’ve discarded or because you’ve achieved others?
  • Have you inadvertently set yourself goals that rely too heavily on others and not enough on your own initiative so that you don’t truly have control of the outcome?

That last point is an important thing to consider. The most practical goals rely on you and your efforts — you plan to write at least 5 days a week, you’re going to write and polish your query letter, you’re going to research three potential agents a week. Some goals, however, rely upon the reactions of others for you to achieve them, such as selling a book (an editor needs to make a viable offer), getting representation (an agent you wish to work with needs to sign you on), hitting a best-seller list (a sufficient number of people need to purchase your book). That’s not to say that you shouldn’t want to achieve those things and work toward them, but they aren’t the sort of goals where your efforts are the sole factor. While you know there are steps you can take toward achieving them — sending out query letters, writing the best book you possibly can — those steps by themselves are no guarantee of hitting the goal; a certain amount of luck and timing and the interests of others all come into play.

Regardless of what you discover when you check in with your goals, remember that this is a list you made, of things that you wish to achieve. Don’t beat yourself up over perceived failures or lack of progress. The idea isn’t to serve as your own personal drill sergeant, but rather to provide yourself with a nice roadmap that can help you figure out where you want to take your writing, your career, your life. You’re drawing the map, so feel free to widen the road where there’s a good view, add a couple of small side streets, create a nice open space to make a U-turn if you need to retrench. Then refill your travel mug, grab a snack, and head back out on the road. Happy writing, and enjoy the ride.

Writing 3rd Person: Maintaining Limited POV

Writing in first person presents the challenge of maintaining a voice that sounds like a distinctive character instead of that of the author, but third person narration comes with its own set of issues and these can be less clear. Writers need to determine whose third person point of view they are going to use. Are they using a single character? Rotating between two or more characters? Or will they zoom way out and use an omniscient narrative style? Once a writer makes their choice, they need to guard against slipping between them.

Omniscient narration has fallen out of style, but when done well it offers the advantage of not keeping secrets from the reader. However, close third-person POV — either of a single character or several — has become much more of the norm for third-person narratives, in part because many writers like the way it puts the reader right into the action. The trick with this point of view is to maintain that strict closeness and not slide into a more omniscient viewpoint. Some aspects of close third are obvious, and simply a matter of keeping track. Who knows what? Who has learned what facts, been present for a given discussion, overheard which secret? When it comes to plot points, it’s not difficult to determine if a character should know about something.

The tricky part of close third-person POV comes with description. There is a tendency to think of third person as the writer setting up their movie camera where the character stands, and writing as if they were filming from that specific spot. It’s logical — the description consists of whatever that camera “sees” from that position. But close third provides more than the view from the character’s eyes — it’s the view from that character’s brain, as well. Descriptions from a character’s POV must be both what they see and what they think about what they see, and here is where things often slip from the character’s POV to the writer’s — or from close third to omniscient.

In close third person, a character should see and observe in a way that makes sense for them, not just as a way to inform the reader of what a room looks like or what is going on in a scene. A wealthy society matron or an interior decorator might walk into a well-appointed living room and recognize the rug as a French Aubusson, but most characters probably would not. An actor who spends a lot of time on the red carpet and with stylists might identify his date’s dress as Armani, but an accountant for a computer company would be much less likely to make the same observation. A writer needs to know their characters, and understand how they see the world. Does the protagonist stick their head out the third story window and see a Porsche coming up the block or a red sports car? The reader must see what the character sees, and nothing more.

This distinction also comes into play in smaller details, such as how other characters are referred to within the text. When the protagonist walks into a room full of strangers, it makes sense to differentiate with physical details, such as the redhead, the woman in the black dress, the taller of the two men. But these vague descriptions should end the minute specifics are assigned. Once the POV character meets the beautiful redhead and knows her name is Susan, they should stop thinking of her as the redhead or the knockout or the beautiful woman, because people don’t reverse their thinking process in that way; she’s Susan.

Similarly, if a male protagonist is speaking to another man, and they are the only characters in the scene, the second character should never be referred to as the other man. Doing so pulls the reader out of the protagonist’s head, out of the room, to a place hovering above the scene where they are aware of two people talking. The protagonist doesn’t think of the person he’s speaking to as the other man — he just thinks of him as Joe or Dad or whoever he is. These sorts of errors often come into play when writers are looking for a way to avoid using a name or a pronoun too often, but it’s much more important to maintain the established POV than to avoid using he or him a few times in a paragraph.

Writing close third person involves really getting into the characters’ heads. When reviewing a scene, a writer needs to consider whether all of the details coming through make sense given the character’s POV. If vital information needs to be relayed, it’s important to determine how the character will know or discover it before it can be presented for the reader, and to keep the author’s voice from sneaking into the narrative.

 

 

2016 December Writing Challenge Wrap Up

Today is the final day of this year’s December Writing Challenge. How did you do? Did you write every day? Make progess on our current project? Start something new? Maybe experiment a bit? At the very least, I hope you set up some good habits for the year ahead.

Many writers have successful careers without producing material daily, but regardless of your writing schedule, creativity is a muscle that must be exercised regularly. Train your brain to produce on demand and you will find the ideas flow much more easily than if you attempt to write merely when the whim strikes you. If you’re just starting out, you’ll develop good habits that will help you continue to write under deadline or when you’re traveling or when your day job rears its head and demands your attention. If you’ve already been at this a while, you probably realize that writing can be more of a challenge if you fall out of the habit of sitting down and tackling the work in a set rhythm.

Regardless of your progress this month, I hope you’re heading into the new year with some wonderful ideas and plans to write, and that you make excellent headway with all your goals for 2017. Wishing you a wonderful New Year’s Eve! Stay safe and enjoy.

December Writing Challenge 2016: Prompts

We’re nearly halfway through the month of December, so it seems like a good time to check in and see what sort of progress everyone is making with their December Writing Challenge efforts, and to provide a little nudge for anyone who has strayed off track. Have you been making time to write every day? Is your work-in-progress buzzing along? Are you polishing and revising and getting a new draft done? Remember: all those words count, whether you’re writing them or rewriting them.

Not everyone is mid-novel, however, so for anyone looking for things to inspire that daily writing habit, I’ve got a few prompts and ideas that you might use if your own imagination is letting you down. Some might inspire a short story or essay, while others can be used as a simple writing exercise. It’s all practice, and it all helps you flex those creative muscles, even if the thing you write just ends up buried in a dusty folder or languishing on your hard drive. So make a date with yourself to sit down at the keyboard or pull out your notebook, and get to work. Happy writing!

Quick Prompts to Keep the Words Flowing

  • Recount a favorite holiday experience, whether from your childhood or something more recent. Try gearing it toward a specific audience: a child, your significant other, someone you’re just falling in love with… Set the tone (and subject matter) accordingly.
  • Set your iTunes or other mp3 playing software to shuffle, or listen to your favorite radio station, and jot down the titles of the first 5 songs you hear. Use them as prompts for short stories/vignettes.
  • Flip open a dictionary and, with your eyes closed, point to a random word on the page. Do this two more times, with fresh pages, then write something using all three words. Pick more than three random words if you’d like, or if the ones you chose are too mundane for inspiration.
  • Check out the images on the following websites, and choose one (or a combination) as the basis for a short story or vignette:

Striking Portraits of Lonely Cars in 1970s New York

Sparkling City of Moscow Celebrates Orthodox Christmas

Spotted in Tokyo

Weird old car

Girl on cliff

St. Mary’s Church, Norfolk

Budapest bridge

Beauty of perception