Friday Links: Writing Stories from the Trenches

TGIF! We’re kicking off the Memorial Day weekend here, and that can mean travel, backyard cookouts, baseball games, beach time, or just a great excuse to hop in a hammock for some serious reading time. It also means I’ve got a bunch of work to finish up today so I can head out and actually do some of the above. So I’ll just leave this week’s Friday Links here for your entertainment, and wish you all a wonderful weekend, whether you’re celebrating the holiday or not. Enjoy, and happy writing!

Books to Breeze Through this Summer – A rather eclectic collection from The New York Times.

Get That Life: How I Became a Writer, Historian, and Activist – Great interview with Rebecca Solnit where she discusses the trajectory of her writing career.

The Literary World Says Goodbye to Denis Johnson – Short obit including social media clips expressing sadness at Johnson’s sudden death.

From Dark to Dark: Yes, Women Have Always Written Space Opera – Author Judith Tarr on women’s role in the subgenre.

Improve Your Writing: Become a Demanding Self-Editor – Some wonderful advice for any writer, regardless of genre, publishing goals, etc.

Story Structure: The Magic Bullet that Almost Killed Me – Author Matthew Quick shares his plot-point life lessons.

A Crash Course in YA Taught Me How to Write – Author Katherine Heiny talks about how she learned about plot and the discipline required to finish a book.

Friday Links: Looking Back to Write Your Way Forward

Another Friday has crept up on us. It’s been a pretty intense week, filled with political strife and a few bombshells here in the U.S. I, for one, am looking forward to the weekend and stepping away from all forms of media for a bit, even though I know that might lead to a more startling Monday when I tune back in. But for my own sanity, I know I need to take a breather. And so I plan to do some personal reading, go for a run or two, and tomorrow I get to hang out with a client who is down with her family from Northern California for a few of days.

This week’s links are a kind of eclectic bunch, though I feel like some personal nostalgia inadvertently made itself known. I don’t plan these things; it’s just the sorts of links I happened to stumble upon. Nostalgia can be a good writing tool, as long as you don’t allow it to overtake your ability to be critical of your ideas. Regardless, I hope you find something intriguing in this lot and that you’re inspired to take a bit of time to yourself over the weekend to read a great book and/or work on your current writing project. Enjoy, and happy writing!

The True Story Behind Mrs. Basil E. Frankweiler and Her Mixed-Up Files – An interesting look at what was one of my favorite books growing up, and how it came to be.

A 17th-Century Alleged Witch Inspired Margaret Atwood’s ‘The Handmaid’s Tale’ – A look into some of Atwood’s thought process on her famous novel.

On the Horror of Getting It Wrong in Print – One writer shares her reactions to learning her errors have gone to press.

More Thoughts about World Building and Food – Lincoln Michel goes deeper into his thoughts on the notion of world building, with a link to his earlier piece included.

The Political Murakami on Life in a Dark Time – How Murakami views the worlld post-9/11, and how that dark viewpoint influences his writing.

6 Tiny Letters for Readers and Writers – I’m a fan of the Tiny Letters – those subscriptions on a theme (or not) that show up randomly when their author decides to share some thoughts – and this round up offers a few intriguing ones.

5 Things to Include on Your Author Website if You’re Not Yet Published – Handy tips for populating that blank author site.

Friday Links: Write What You Want to Know

Happy Friday, all! I hope everyone’s had a wonderful week and is ready to kick off a creative weekend, because I’m here to talk to you about research and inspiration. The old adage “Write what you know” has long been criticized as being too limiting, and in a sense it is. If writers only took on topics familiar to them, we would soon find ourselves with a rather narrow field of stories. So I propose a small tweak: Write What You Want to Know.

Writing is about inspiration, imagination, and research. Whether you need to fill in a few facts or thoroughly immerse yourself in an entirely new industry or location, you’re going to need to put in some time to make sure your story is accurate and believable. Even fantasy writers, who may seem to have permission to invent entire worlds purely out of their heads, are subject to the rigors of research, because those fantasy worlds come across much more believable if they have their roots in at least a small measure of reality.

So today’s links offer up a wealth of inspiration and topics that I hope will spark your interest, whether with a topic to research or some writerly advice that sends you off in a fresh direction. Open your eyes wide and let yourself absorb some amazing new things this weekend. Check out the links, but then go to the library and explore a section you haven’t read from or hit a local museum or art exhibit. Find a cultural celebration within driving distance and go try some interesting new-to-you foods and listen to music. And no, this isn’t an invitation to appropriate someone else’s culture; but open yourself up to all the different facets of our world and see what ideas you cultivate. At the very least, the people you write about will feel more real.

Photographs Document Early Chinese Immigration – An interesting collection from the Library of Congress.

Why I Founded an Interdisciplinary Retreat for Artists and Writers – A great argument for cross-pollination of creative ideas.

Discovering Literature: Shakespeare and the Renaissance Writers – A useful resource for historical projects.

Jeff VanderMeer & Cory Doctorow Discuss the Future of Sci-Fi & the World – A great conversation between two smart, interesting writers who contribute greatly to the current sff landscape.

Stephanie Powell Watts on Writing Hard Times in Small Towns – This perspective might be especially interesting for anyone from a densely populated area.

The Masks We Wear: The Millions Interviews Edan Lepucki – A discussion of Lepucki’s new book and character identity.

Women Were Pirates, Too – While the men got most of the press (for good or ill), there were a number of female pirates sailing the seas as well.

25 of Your Favorite Nonfiction Books about Women’s History – An intriguing list. No descriptions included, but many of the titles will draw you in even so.

Maurice Sendak on Art and Art-Making – Five years after his death, the author/illustrator’s words of wisdom still offer up some great advice.

Why I Read: Ursula K. LeGuin – HarperCollins pulled together a collection of authors’ responses to the simple question of why they read, and LeGuin’s answer feels like it works very well with the theme of today’s links.

Friday Link: A Mish-Mash of Writing Inspiration

Happy Friday, everyone! I’m currently winging my way to Seattle for a conference, but as always, I’ve made sure to leave you with this week’s assortment of links for your enjoyment. It’s something of a hodgepodge — pretty much how things go when I’m on one of these conference runs — but I still think there’s some great stuff for everyone. Enjoy, and happy writing!

Five Writing Retreats to Attend This Summer – Interested in doing a retreat? Think it’s too late? Here are a few places with late deadlines or rolling admissions that might fit the bill.

Colson Whitehead Leads the Arthur C. Clarke Award Shortlist – An interesting profile, plus the rest of the list so you can catch up on your reading.

As Jane Austen a “Secret Radical”? – A peek at the new, somewhat controversial book offering a fresh (mostly) take on the author.

Why Doesn’t Ancient Literature Talk About Feelings? – A look at changes in our expectations of what we read.

How the Federal Government Saved Literature in Tennessee – Why the NEH and NEA are important.

Warner Bros. Is Seeking New Writers – Worth checking out if screenwriting is  your thing.

9 Signs You May Have Over-Edited Your Work – It’s possible to overdo it.

Want to Be an Author? Finish Something

Writers write, but authors publish. If you want to go from writer to author, the first step is to finish something, then go back and rewrite it until it is ready for submission. But finishing that first draft really is key. It’s impossible to edit a blank page, and equally impossible to sell something without an ending.

Most writers starting out have written plenty of beginnings. They get an idea and sit down to write. They rush through those first pages filled with excitement, developing cool characters and describing the setting and sending everyone off on their adventure brimming with conflict. But then something happens around page fifty. Maybe page 100 if they are lucky and have plenty of momentum. The writing starts to slow down. That initial idea is no longer sufficient to carry the action forward. More is required, and the beginning writer isn’t sure just what that more entails.

And then comes the shiny new idea.

Everyone’s had them, sometimes even while staring at the computer screen, willing the current idea to shape up and get marching. That niggling thought — a weird new hero, a fantastic scenario, a compelling situation, a snippet of dialogue in the back of the brain — that sounds like the answer to everything. Because this new shiny idea feels so much better than the work in progress. It’s new! It’s shiny! It’s so much more exciting! And it lures you away from the current project that hasn’t been behaving and into its shiny clutches.

Before you knows what’s happened, you have a stockpile of beginnings. Partial novels that have never even made it to the half-way point. Because there is always a shiny new idea lurking around the corner, looking to distract you. The more ideas you have, the more ideas you get. It’s the way creativity seems to work. But there are several problems with this.

  • Shiny new ideas are not actually always good ideas. Sometimes they’re just plain ordinary ideas that, if given time, will fade completely from your mind and go unmissed.
  • Chasing shiny new ideas means setting aside current projects and never finishing anything. And you can’t sell something that’s not finished.
  • Writing the middle and the end of a story requires different skills than writing beginnings, and you can’t get better at writing middles and ends if you never actually write them. You want to hone all your skills as a writer, not just some of them.

Shiny new ideas will always pop up and wave at you, but it is vital that you set them aside and continue with whatever project is currently on your plate. That doesn’t mean forget them entirely. Jot down notes in your journal, start a computer file for the potential new project, and then get back to business. Consider that shiny idea on the to-do pile. Maybe you’ll get back to it in a year and find it’s percolated into something wonderful, or maybe you’ll wonder what the hell you where thinking. Either way, it gets its due eventually, and you get to push through and finish the project at hand.

But what about the argument that the new idea is better or more interesting than the one you’re writing? Of course it seems that way. The new idea is a mystery. You’ve spent virtually no time thinking about it, which leaves it wide open to play with. The current idea, on the other hand, is starting to come together. You understand the characters more than you did at the beginning, you’ve begun to piece together the plot, and things have moved forward. The easy thinking has been accomplished, and you need to dig deeper. Further the conflict, ask tough questions, maybe backtrack on a couple of points. You are past all the surface material and mining for treasure, and that’s work. Hard work. Of course the idea of something new and shiny appeals. That doesn’t make it better.

Writers write, and if all you want to do is write, you can play with as many ideas as you wish. But published authors commit to finishing their projects and resist the distraction of every new idea that catches the light. Of course, occasionally there are projects you find just aren’t working and you decide to abandon them, but that’s a question of the project’s merit, not the distraction of a shiny new idea. So when the next little tidbit flits along and catches your eye, tuck it into a folder for future thought and get back to work.